monir shahroudy farmanfarmaian art

18 7/8 x 31 7/8 in Monir Shahroudy Farmanfarmaian in her studio working on Heptagon Star, Tehran, 1975, 1975 In Lightning for Neda over 4000 mirror shards in each panel activate myriad patterns. 46 7/8 x 54 in This new series continues to explore the variable arrangement of geometric figures, this time with an emphasis on the physical movement of the shapes. It combines the rich patterns and geometry found in the folk art heritage of her native Iran with the modern abstract art of the New York City avant garde. Monir Shahroudy Farmanfarmaian opens the new season with a solo exhibition of new mirror mosaic works. Grand Rapids Art Museum. 53 1/8 x 53 1/8 in Policies & Right to Information Certain drawings or studies correspond to eventual three-dimensional, sculptural applications of their forms, while others employ rhythmic patterning and calligraphic mark-making to create dimensional effects within the picture plane. (JCG11731), MONIR SHAHROUDY FARMANFARMAIAN In 2004, Monir returned once again to Tehran, where she reaffirmed her place among Iran’s art community and continued to make sculptural work until her death in 2019. 50 x 65 cm View Monir Shahroudy Farmanfarmaian’s artworks on artnet. 117 x 117 cm Inspired by its architecture, the traditions of Islamic geometry and pattern, and by techniques such as reverse glass painting, mirror mosaic and relief sculpture, Farmanfarmaian has revived and adapted these forms to create startlingly original works. Over the course of a life marked by migration and revolution, she blended tradition with permutations in the avant-garde to create a cohesive and widely varied body of work that is uniquely her own. The Third Line is a Dubai based art gallery that represents contemporary Middle Eastern artists locally, regionally and internationally. SUN, 12-6INFO@JAMESCOHAN.COM, Monir Shahroudy Farmanfarmaian at the Sharjah Art Foundation, Monir Shahroudy Farmanfarmaian at Irish Museum of Modern Art, Monir Shahroudy Farmanfarmaian at Grand Rapids Art Museum, Monir Shahroudy Farmanfarmaian at the Monir Museum, Monir Shahroudy Farmanfarmaian at The Institute of Arab and Islamic Art, Monir Shahroudy Farmanfarmaian at the Chrysler Museum of Art, Monir Shahroudy Farmanfarmaian at Savannah College of Art and Design Museum of Art, Monir Shahroudy Farmanfarmaian at the Solomon R. Guggenheim Museum, Monir Shahroudy Farmanfarmaian at Serralves Museum of Contemporary Art, James Cohan Now Represents Monir Shahroudy Farmanfarmaian, Monir Shahroudy Farmanfarmaian: Infinite Possibility. Monir Shahroudy Farmanfarmaian at the Orangerie, Vienna, in 2009, photo by Bernhard Benke. Third Family Octagon, 2011 Recent solo exhibitions include Sunset Sunrise, Irish Museum of Modern Art, Dublin, Ireland (2018), which travelled to Sharjah Art Foundation, United Arab Emirates (2019); Mirror Variations: The Art of Monir Shahroudy Farmanfarmaian, Grand Rapids Art Museum, MI (2018); Lineages, Savannah College of Art and Design Museum of Art, Savannah, GA (2017); Monir Shahroudy Farmanfarmaian: Infinite Possibility. WED - SAT, 10-6 The art of Monir Shahroudy Farmanfarmaian reflects a life lived between two cultures. Reverse painted glass, mirrored glass, and plaster (JCG11730), MONIR SHAHROUDY FARMANFARMAIAN (JCG11744), Installation view: Sunset, Sunrise, Sharjah Art Foundation, United Arab Emirates, October 12 - December 28, 2019, Image courtesy of the artist, The Third Line, Dubai, and James Cohan, New York, Reverse painted glass, mirror, plaster and wood, Photo: Filipe Braga, © Fundação de Serralves, Porto, Portugal, MONIR SHAHROUDY FARMANFARMAIAN Located in the historic Negarestan Museum Park Gardens, the museum pays homage to the artist's life and work, and is home to over fifty pieces from her personal collection. Image courtesy of the artist, Haines Gallery, and James Cohan, New York, MONIR SHAHROUDY FARMANFARMAIAN Monir Farmanfarmaian (b.1922-2019, Iran) attended the Fine Arts College of Tehran before becoming one of the first Iranian students to study in the United States after World War II. Third Family Pentagon, 2011 Monir Shahroudy Farmanfarmaian, whose lucent works ally modernist abstraction with Islamic ornament, has died at age ninety-seven. Mirror Works and Drawings 1974–2014, "Monir Shahroudy Farmanfarmaian (1922 - 2019)" by Shirin Neshat, "Monir Farmanfarmaian, 96, Dies; Artist Melded Islam and the Abstract" by Jason Farago, "Iranian Artist Monir Shahroudy Farmanfarmaian, Sculptor of Mindbending Mirror Works, Dead at 97" by Alex Greenberger, “The Monir Museum Opens in Tehran" by HG Masters, "Monir Shahroudy Farmanfarmaian" by Charles Safaieh, “Iran’s first museum for a female artist honours nonagenarian" by Tim Cornwell, “Exchange Program: The New Institute of Arab and Islamic Art" by Eleanor Heartney, “A Portrait of an Iranian Artist Who Went Home After 25 Years in Exile" by Bridey Heing, “Monir Shahroudy Farmanfarmaian: Sunset, Sunrise” by Kaelen Wilson-Goldie, “Monir Farmanfarmaian, Iranian and Nonagerian, Celebrates a New York Museum First” by Randy Kennedy, "An Iranian Artist Recalls Her Life in New York and Tehran" by Carl Swanson, "Interview: Monir Shahroudy Farmanfarmaian" by Lauren O’Neill-Butler, "Monir Farmanfarmaian Talks Art" by Rosemary Feitelberg, "Two Iranian Artists and the Revolution" by Robin Wright, "Infinite Possibility: Monir Shahroudy Farmanfarmian" by Natasha Morris, "Mirror, mirror: The Iranian Artist Monir Farmanfarmaian’s dazzling work shines in Dubai" by Anna Seaman, "Cosmic Geometry: The Life and Work of Monir Shahroudy Farmanfarmaian" by Marisa Mazria Katz. Monir Shahroudy Farmanfarmaian / Iran, b.1924 / Lightning for Neda 2009 / Mirror mosaic, reverse-glass painting, plaster on wood / The artist dedicates this work to the loving memory of her late husband Dr Abolbashar Farmanfarmaian. The queen of dazzling mirrored mosaic works and glass paintings, Farmanfarmaian was raised by educated parents in the small, religious town of Qazvin in northwest Iran, where she was born in 1922. 119 x 137 cm 135 x 135 cm Mirror, reverse painted glass, acrylic, and plaster on wood In her work, rigorous structure and repetition are the foundations of invention and limitless variation. 25 x 32.5 cm 42 1/8 x 47 5/8 in Oct 2, 2017 - Explore Dorien . (JCG11724), MONIR SHAHROUDY FARMANFARMAIAN How does this artwork make you feel?Take a photo and let us know #goma10farmanfarmaian @qagoma. South Bank, Brisbane Variation on a Hexagon 10, 1976 Photo: Filipe Braga, © Fundação de Serralves, Porto, Portugal, MONIR SHAHROUDY FARMANFARMAIAN Renowned internationally for her dazzling, painstaking mirrorwork, in later life Farmanfarmaian rose to prominence as one of Iran’s foremost contemporary artists and as one of its most prolific collectors. Queensland Art Gallery Foundation / Collection: Queensland Art Gallery / QAGOMA Photography / © The artist. Mirror work on plaster ball 22,5 x 23 x 23 cm. Monir Shahroudy Farmanfarmaian (1922-2019) was a contemporary, Iranian artist who became a living legend while she was still alive. 116 x 119 cm Variation on a Hexagon 2, 1976 Mirror and reverse glass painting on plaster and wood Farmanfarmaian's creative practice is imbued with the aesthetics of her Iranian culture. Installation of 9 elements, 2004 Queensland 4101, Australia (JCG11727), MONIR SHAHROUDY FARMANFARMAIAN The assemblages reference lost homes and lost people comprising the fabric of her personal memories. 59 1/2 x 59 1/2 in Over six decades, Monir Shahroudy Farmanfarmaian (1922 - 2019) investigated the intricate geometries of her Iranian heritage, reconfiguring traditional craft techniques to explore the philosophical, poetic, and perceptual possibilities of interlocking primary forms. TUE - SAT, 10-6INFO@JAMESCOHAN.COM, Lower East Side Mirror on plaster and wood 48 WALKER ST (JCG11739), MONIR SHAHROUDY FARMANFARMAIAN Written by By Artemis Moshtaghian, CNN Prominent contemporary Iranian artist Monir Shahroudy Farmanfarmaian died at age 97 in her home in Tehran due to natural causes on … Fourth Family Hexagon, 2013 100 x 100 cm Monir Farmanfarmaian. Monir Shahroudy Farmanfarmaian died on 20 April in Tehran, aged 97. Untitled, 1976 35 7/8 x 35 7/8 in Third Family Decagon, 2011 47 1/4 x 47 1/4 in Monir Shahroudy Farmanfarmaian, Untitled, 1980, ink and pen on paper, 18 x 25 in, Grand Rapids Art Museum, Michigan, USA. (JCG11752), Image courtesy of the artist, Haines Gallery, and James Cohan, New York, MONIR SHAHROUDY FARMANFARMAIAN Your own appearance, your own face, your own clothing—if you move, it is a part of the art. (JCG11751) Third Family Nonagon, 2011 Reverse painted glass, mirrored glass, and plaster Variation on a Hexagon 15, 1976 IMMA is delighted to present Sunset, Sunrise, a retrospective exhibition of works by Monir Shahroudy Farmanfarmaian. Monir Shahroudy Farmanfarmaian was an Iranian Postwar & Contemporary painter who was born in 1924. Sharjah Art Foundation, in collaboration with IMMA, presents Sunset, Sunrise, a retrospective exhibition of works by the late artist Monir Shahroudy Farmanfarmaian. Square Maze, 2014 Untitled Maze, 2015 46 1/2 x 46 7/8 in Stanley Place, Cultural Precinct Her oeuvre included multi-disciplines: drawing, painting, monotypes, textiles, collage, and large-scale sculptures. Hexagon, 2010 122 x 122 cm Monir Shahroudy Farmanfarmaian's mirror mosaic draws on an Iranian decorative technique known as aineh-kari, which uses pieces of broken mirror and dates back to the sixteenth century. Mirror on plaster and wood Reverse painted glass, mirrored glass, and plaster 45 5/8 x 46 7/8 in E: gallery@qagoma.qld.gov.au 44 1/8 x 44 1/8 in 48 1/8 x 48 1/8 in 120 x 120 cm Iranian artist Monir Shahroudy Farmanfarmaian, better known simply as Monir, has long believed in the transcendental possibilities of mirrors. Monir strove to mix Iranian influences into her works, particularly the tradition of Ayeneh Kari, the art of cutting mirrors into small pieces and placing them The six sides of the hexagon, which provide the underlying structure, are expanded and elaborately rendered. Typically rendered in vivid hues of felt-tipped marker and colored pencil, Monir’s works on paper demonstrate her ability to cast fields of radiant, expressive energy from pared-down arrangements of line and form, through a process characterized by structural precision. First Family Octagon, 2010 In 1957, she returned to Iran, embarking on intensive research into regional artistic and architectural tradition. NEW YORK, NY.- James Cohan announced its representation of Monir Shahroudy Farmanfarmaian. 9 7/8 x 12 3/4 in Monir explained: “With the reflections, you’re also a part of the art piece. 51 x 35.5 cm Mirror Works and Drawings, 1974-2014, Infinite Possibility. 120 x 120 cm 51 1/8 x 56 1/8 in Third Family Hexagon, 2011 Fifth Family Triangle 1, 2013 Monir Shahroudy Farmanfarmaian was born in Iran in 1924 and is well known for her dazzling approach to geometric abstraction, primarily in the mirror reliefs and drawings she has been making since the 1970s that derive from ornamental elements in traditional Islamic architecture. Monir Shahroudy Farmanfarmaian, an Iranian artist who lives in Tehran, uses mirror mosaic in “Birds of Paradise,” a technique employed in architectural decoration since … Reverse painted glass, mirrored glass, and plaster Third Family Triangle, 2011 Reverse painted glass, mirrored glass, and plaster 83 × 117 × 117 cm Monir Farmanfarmaian, Birds of Paradise, 2008 The most poignant piece in the show is by Monir Shahroudy Farmanfarmaian, who is 88 years old and lives in Iran. It was there she befriended figures such as Milton Avery, Alexander Calder, Joan Mitchell, Louise Nevelson, Frank Stella, Robert Morris, and Andy Warhol. NEW YORK NY 10013 Through her studies abroad, she combined traditional Iranian techniques with Western geometric abstraction to create … Purchased 2009. Monir is best known for her mirror-works, in which cut polygonal fragments of reflective, reverse-painted glass are arranged into kaleidoscopic compositions grounded on principles of Islamic geometry. In 2017, the Monir Museum was inaugurated under the auspices of Tehran University. 110 x 121 cm (JCG11737), Courtesy of the artist, Third Line, Dubai, and James Cohan, New York, MONIR SHAHROUDY FARMANFARMAIAN Monir is best known for her mirror-works, in which cut polygonal fragments of reflective, reverse-painted glass are arranged into kaleidoscopic compositions grounded on principles of Islamic geometry. You’re the connection: it is the mix of human being and reflection and artwork.”. Tied to a mystical understanding of primary shapes as sacred and connected to a divine natural order, Monir’s unit-based compositions of luminous glass reveal uniformity, repetition, and precedent as the basis for endless recombination. Media Reflection Five, 2010 Learn about the artist and find an in-depth biography, exhibitions, original artworks, the latest news, and sold auction prices. 61 x 45.5 cm Inspired by a formative visit to the mirror mosaics of Shah Cheragh mosque in Shiraz, Iran, her visually seductive wall-based and freestanding sculptures draw from the mathematical, corporeal, and mystical principles of Sufi architecture as much as they are informed by the conceptual underpinnings of 20th century abstraction. Her work is held in the permanent collections of major institutions worldwide, including the Alfond Collection of Contemporary Art, Cornell Fine Arts Museum, Rollins College, Winter Park, FL; The Andy Warhol Museum, Pittsburgh, PA; the Barry Art Museum, Norfolk, VA; Grand Rapids Museum of Art, Grand Rapids, MI; Guggenheim Museum, Abu Dhabi, United Arab Emirates; High Museum of Art, Atlanta, GA; Hirshhorn Museum and Sculpture Garden, Washington, DC; Louis Vuitton Foundation, Paris, France; M+ Museum, Hong Kong; McNay Art Museum, San Antonio, TX; Metropolitan Museum of Art, New York, NY; Monir Museum, Negarestan Museum Park Gardens, Tehran, Iran; Museum of Contemporary Art, Tokyo, Japan; Museum of Contemporary Art, Chicago, IL; Museum of Fine Arts, Boston, MA; Museum of Fine Arts, Houston, TX; Museum of Modern Art, Tehran, Iran; Niavaran Cultural Center, Tehran, Iran; Queensland Gallery of Contemporary Art, Queensland, Australia; Sharjah Art Foundation, Sharjah, United Arab Emirates; Solomon R. Guggenheim Museum, New York, NY; Tate Modern, London, United Kingdom; Tehran Museum of Contemporary Art, Tehran, Iran; Toledo Art Museum, Toledo, OH; Victoria and Albert Museum, London, United Kingdom. 107 x 121 cm With each new beginning comes a new progression whose formal expression of spatial unfolding and unity, while clearly acknowledging Sufi thought, might also be understood metaphorically as an existential portrait of the artist and her trajectory—to begin, advance boldly, and begin again.”. 91 x 91 cm With a career spanning more than six decades, Farmanfarmaian is one of the most prominent contemporary Iranian artists working today. 115 x 121 cm Reverse painted glass, mirrored glass, and plaster Following the death of her husband in 1991, while still in exile, she also created sculptural memory boxes referred to as Heartaches, filled with family photographs and other personal ephemera. JAMES COHAN Eat & Drink, © QUEENSLAND ART GALLERY | GALLERY OF MODERN ART, Stanley Place, Cultural Precinct South Bank, Brisbane. During this period characterized by distance, the artist's ongoing drawing practice played an increasingly critical role in reinforcing a vital sense of continuity and connection to her homeland. See more ideas about mirror art, art, artist. 48 x 81 cm 47 1/4 x 47 1/4 in With a career spanning more than six decades, Farmanfarmaian is considered to be one of the most important Iranian artists of her time. 45 1/4 x 47 5/8 in Reverse painted glass, mirrored glass, and plaster Sitemap, Hours & Admission QAGOMA respects your privacy and will not share your personal details with third parties without your consent. Felt-tip pen on paper 24 1/8 x 17 7/8 in (JCG11729), MONIR SHAHROUDY FARMANFARMAIAN The hexagon is an important shape within Islamic geometry, and also has mystical connotations, representing the six directions (up, down, forward, backward, left, right) as well as the six virtues of generosity, self-discipline, patience, determination, insight and compassion. Mirror and reverse glass painting on plaster and wood Mirror on plaster and wood 112 x 112 cm Finding herself indefinitely estranged from her studio and other resources necessary to continue producing large-scale sculpture, she honed connection with cultural memory through intensive exercises in drawing, collage, jewelry, carpets, and small-scale sculpture. Fourth Family Octagon, 2013 Privacy (JCG11750), Mirror, oil painting behind glass, plaster and wood, MONIR SHAHROUDY FARMANFARMAIAN (JCG11843), Mirror, reverse glass painting, stainless steel and plaster on wood, Reverse painted glass, mirror, and plaster, Photo: Courtesy of the Estate of Monir Shahroudy Farmanfarmaian. 151 x 151 cm Triangle Maze, 2014 Monir Shahroudy, as she was born, was raised in the northern Iranian city of Qazvin among peach, almond and walnut trees. Events Calendar (JCG11735), MONIR SHAHROUDY FARMANFARMAIAN 118 x 119 cm 43 3/4 x 43 3/4 in "Monir Shahroudy Farmanfarmaian: Infinite Possibility. Gallery Maps Spanning mirrored mosaics, sculptural assemblage, drawings, textiles and monotypes, Monir’s multidimensional practice centered on incorporating elements from her inherited past into her own designs—which blended a range of compositional influences, from classical Persian interior decoration to Western modernism. NEW YORK NY 10002 29 1/8 x 59 1/2 in It was this event that provided a crucial turning point in Farmanfarmaian’s artistic journey. (JCG11725), MONIR SHAHROUDY FARMANFARMAIAN 100 x 100 cm As curator Suzanne Cotter describes, each of Monir’s new sculptures “carries a history of the sculptures and drawings that have preceded it. Mirror and reverse glass painting on plaster and wood Collection of the artist. 20 1/8 x 14 in Monir Shahroudy Farmanfarmaian was a contemporary Iranian artist known for transforming Persian pictorial language into Modernist forms. Fifth Family Pentagon, 2014 (JCG11753), Mirror mosaic, reverse-glass painting, plaster on wood She emerged as a key actor in the worldwide development of abstract art in recent years. TEL 212.714.9500   The Islamic Revolution in 1979 marked the beginning of Monir’s 26-year exile in New York. Drawing was an integral throughline in Monir’s wide-ranging practice, providing a means for exercising spatial thinking through experimentation with geometric structure. Pen on paper Reverse painted glass, mirrored glass, and plaster MONIR SHAHROUDY FARMANFARMAIAN Edition 2 of 2 81 x 114 cm MONIR SHAHROUDY FARMANFARMAIAN (1922 - 2019) “My work is largely based on geometry which, as you know, always begins with a single point and can move from there into a circle. (JCG11726), MONIR SHAHROUDY FARMANFARMAIAN Mirror, reverse glass painting, plaster and natural glue on wood Tribeca Center circle: 39 3/8 x 39 3/8 in Pen on paper Her forthcoming solo exhibition at the High Museum of Art in Atlanta, GA will open in 2022. According to Monir, the six-sided hexagon, for example, “reflects the six virtues: generosity, self-discipline, patience, determination, insight, and compassion.” The distinctive features of shapes used in each work precondition specific repetitive geometries that span outward to the edges of the object, serving to create a transcendent, ephemeral effect within the larger structure. While studying and living in New York after World War II, Monir became embedded in the social fabric of the Western modernist art scene. Born in Qazvin in northwestern Iran, Farmanfarmaian studied at the University of Tehran, in the Faculty of Fine Art. First Family Decagon, 2010 Third Family Heptagon, 2011 She graduated from Parsons School of Design in 1949 and then became a Member of the New York Art … Free Wi-Fi available, Compliments & Complaints The artist Monir Shahroudy Farmanfarmaian with one of her works in 1975. Mirror and reverse-glass painting on plaster and wood (JCG11844), MONIR SHAHROUDY FARMANFARMAIAN Farmanfarmaian was born in Qazvin, Iran in 1924. Reverse painted glass, mirrored glass, and plaster One of Iran’s most iconic artists, Monir Shahroudy Farmanfarmaian died in Tehran on April 20, at the age of 97. , Farmanfarmaian is one of the most important Iranian artists working today send email updates including newsletters special... Northwestern Iran, embarking on intensive research into regional artistic and architectural.. Islamic Revolution in 1979 artistic and architectural tradition artworks that fuse Islamic geometrical design, abstraction, Sufi,! Serralves Museum of art in Atlanta, GA will open in 2022 Cohan announced its representation Monir. Practice is imbued with the reflections, you ’ re also a part of the art piece of! Work, rigorous structure and repetition are the foundations of invention and limitless variation more... 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